Butterfly Hill
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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| And above Butterfly Hill… | |
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Photo by Mary Kliwinski |
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| … a heron! | |
Hummingbird Alley
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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Photo by Mary Kliwinski |
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More Sculpture Gardens
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| “Bamboo” view from the south |
Photo by Kenneth Ek |
| The artist, Steve Tobin, found unusually patterned scrap metal up near Reading. There used to be dozens of steel mills and hundreds of fabrication shops in southeastern PA, an embarrassment of riches to a sculptor. | |
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| “Bamboo” view from the north |
Photo by Kenneth Ek |
| I worked on a flower seed farm in Costa Rica for awhile. The house was near giant bamboo groves. They rustled spookily at night and, if the sky was clear and moonlit, struck a memorable profile. | |
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| “Pod” |
Photo by Mary Kliwinski |
| Steve creates these by inserting a large fireworks explosive into a solid cube of wet clay, the outside of which he scores to give it a decorative skin. The firework’s cobalt, cadmium and copper color the inner surface. The piece dries slowly, and the result is a moment of creation caught in time. | |
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| “Pods” |
Photo by Mary Kliwinski |
| These two pieces are in the Happiness Garden. Many more are scattered throughout the farm. | |
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| “Steel Root” |
Photo by Mary Kliwinski |
| Up near the corner of the meadow and just off the woodland path stands the simplest of the steel roots and the only one painted black. Over 15 feet at the top and motioning into the woods, its appearance is striking from any distance. | |
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| “Syntax” |
Photo by Mary Kliwinski |
| The Russian Olive (Elaeagnus angustifolia) to the right sets off the size of this handsome sculpture located just off the southwest corner of the Happiness Garden. | |
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| “Syntax” a closer look |
Photo by Kenneth Ek |
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| “Weeds” at the south meadow |
Photo by Kenneth Ek |
| Steve created this new series when he was inspired by the many different plants he observed at Fordhook Farm. Iron and steel scraps are brought to a vigorous new life. This is the shortest group at about 8 feet tall. | |
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| “Weeds” same group front view |
Photo by Kenneth Ek |
| A bit like a parade of Caribbean dancers. | |
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| “Weeds” at the south meadow |
Photo by Kenneth Ek |
| This large group reaches 25 feet with the figure on the left, the tallest work in the exhibition. | |
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| “Steel Root” |
Photo by Mary Kliwinski |
| This massive sculpture is 25 feet wide, 20 feet tall and finished in a rust colored surface. The most “natural” looking of this new group which is, nevertheless, a dramatic evolution from the realistic bronze roots, such as the one Steve contributed to Trinity Church near the World Trade Center. Energetic work that must be seen to be believed. | |
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| “Sunflower” with sunflower near farm entrance |
Photo by Kenneth Ek |
| One of my favorites, it welcomes visitors both coming and going. Same piece that was portrayed “in the mist” in the previous sculpture post. | |
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| “Catkin” |
Photo by Mary Kliwinski |
| Made entirely of the type of tubes used for the outer row of “Sunflower”, this piece was unusually observed by the photographer, our gardener Mary Kliwinski. | |
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| Side of “Sunflower” with “Catkin” distant |
Photo by Kenneth Ek |
| Birds, wasps, bees and even mice have set up house in some of the tubes. | |
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| “Iron Shoots” in the misty meadow |
Photo by Mary Kliwinski |
| This shows regeneration found in spring in tiny clumps along a forest path. Steel beams from the old Bethlehem mill were used. Reaches 10 feet tall. | |
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| “Pod” at base of American Linden near main house |
Photo by Mary Kliwinski |
| Steve adds a small pool of clear glass at the bottom to capture the surface colors made by the fireworks explosion. | |
“Heyoka”
Native Americans use this word to describe a tactic of absurd contrariness that conveys a ground level wisdom. For instance, if a husband offends his wife, she may become “heyoka”. When he’s hungry, she serves him a bowl of dirt; when he wishes to sleep, she noisily cleans the house; when he finally awakes, she falls asleep. If the husband doesn’t substantially repent, it goes on indefinitely. An episode of “heyoka” is vividly conveyed in Frederick Manfred’s fine novel, Lord Grizzly.
In fact, “heyoka” works to get out of ruts of all types, especially post-summer-garden funks. We’re having intense tropical depressions lately, which doesn’t help the mild human kind. So “heyoka” comes in handy. If you wish to try something new to alleviate extreme boredom, try it out.
Want to sleep in? Get up early.
Want to stay up late? Go to bed early.
Hungry? Don’t eat.
Feel tired? Keep working.
Rested? Don’t go to work.
Want to stay in? Go out.
Want to go out? Stay in.
Don’t want to clean up? Clean up.
Want to clean up? Don’t bother.
Want to go to the Bahamas? Go to Anchorage.
Perhaps the medical community has a better idea. Plus, this may be related to the previous post about the “changeling garden”. Maybe my “heyoka” blues cure is, for once, not to tear out the gardens and start anew every year. Off to Anchorage!
Sculpture Garden
Steve Tobin has been my friend for almost 20 years, during which time I’ve watched his work change from glass to metal, and from large to enormous. We decided to exhibit some of his latest sculpture for the next 18 months on our lawns and meadows here at Fordhook Farm in Doylestown, Pennsylvania. The following photos show a small sample. We display also works by Densaburo Oku, Daisuke Shintani and Eric Finnerty.
The exhibit is viewable on our Garden Conservancy Open Days and other Heronswood, The Cook’s Garden and Burpee events, or by appointment. We welcome tour groups as well. Please call 215-345-1766 or leave a message.
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| “Sunflower” in mist |
Photo by Mary Kliwinski |
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| “Bronze Root” on Main House lawn |
Photo by Mary Kliwinski |
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| Monumental group on Great Lawn: |
Photo by Mary Kliwinski |
| “Steel Roots” left and center, “Weeds” in distance right and “Iron Shoots” at right. | |
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| “Bamboo” near the Springhouse Garden |
Photo by Mary Kliwinski |
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| “Syntax” near Happiness Garden |
Photo by Mary Kliwinski |
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| “Syntax” |
Photo by Mary Kliwinski |
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| “Steel Root” with “Iron Shoots” |
Photo by Kenneth Ek |
The Golden State
I just spent a long weekend attending a wedding in San Francisco at the Embarcadero Hyatt down near the water, the old Ferry Building and the Bay Bridge. The city rises up from there so I walked a lot—up to Chinatown, North Beach and over to the old Tenderloin, as well as along the Embarcadero, a bayfront parkway that resembles the Croisette in Cannes. San Francisco is scenic, with high hills and water on three sides. A center of transience, it is rooted in a colorful past, from its military origin to its boomtown days and perpetual status as a busy port. Even the bridges seem to point elsewhere.
The wedding party was small enough – about 150 – that conversations moved beyond the surface. The main topic of out-of-towners was the street people. Several of us saw people in horrifying condition talking on cell phones. I saw a man in chino pants and a blue button-down shirt rummaging through trash cans, as if he had been fired, moments before, from a software firm and needed food or stuff to turn in for cash. Someone said that California is in a crisis due to having downsized its state mental hospitals and outpatient clinics a few years ago. The feds have stepped in because the streets and the prisons are overflowing with disturbed people. Now San Francisco is a boomtown for clinical psychiatrists. I hadn’t spent time in a city center for many years, so I was shocked by the misery. My heart went out to these folks.
Some street people performed music. At the corner of Drumm and California, there was a man in his 60’s with a CD player, speakers on the sides and a stage mic on a stand plugged into the system. He not only sang along with James Brown, he performed all the dances and mic stand tosses. He was in great shape and had JB’s voice down perfectly. I enjoyed it, dropping dollars after every song in the black hat he had sitting on the sidewalk.
A few of us strolled several hours every day talking about old times and looking for street scenes from the “Dirty Harry” movies, “Bullitt” and “The Killer Elite”. We always had lunch at Crepes and Curry, a takeout stand run by an immigrant Chinese couple next to the Hyatt. It was delicious and cheap. The couple spoke perfect English. We talked about the Hakka.
The wedding ceremony was in Tiburon at St. Hilary’s, a lovely little chapel on a steep hill overlooking the ocean. The pew cushions were embroidered with California wildflowers – mine was Castilleja neglecta, or Sierra Paintbrush. The ceremony was a Lutheran-Jewish-Confucian affair. The Chinese family blessings were exquisite. The Chinese bride’s mother hoped that the couple’s love for each other would be like that between a mother and child, while the father similarly asked that they love each other in the same way that he loved his daughter. The women cried, the girls giggled.
After church the bride kept reappearing in different gowns all afternoon and evening. The finale was a gorgeous scarlet red sheath with gold embroidery. Reception banquet games included the groom standing motionless on a chair in the spotlight while the bride passed a raw egg under one pant cuff, up the leg, across the crotch, down the other leg and out the cuff unbroken. A degree in psychiatry is required to figure it out. Another had him blindfolded and passed along a line of all the young ladies, including the bride, to brush each pair of hands with his fingertips and pick out his beloved. Of course, he chose a 12-year-old ingénue to everyone’s delight and laughter. Strangely, almost no one danced. Since most of the guests were immigrant Chinese, I attributed it to their lack of an informal dance tradition. In Costa Rica, the dancing would have started before the food was served, and lasted all night. Alas, this was a sit-down affair that broke up at 10. I was one of a few who danced, and there was a game Chinese woman who broke with tradition and we cut the rug for half an hour. She works at a beauty salon in Millbrae. Later, I showered the newlyweds with a hundred one dollar bills as they slow danced. This went over big with the Chinese, who told me of their old custom of the wedding couple crossing “the golden door”, a ceremonial threshold festooned with gold coins and jewelry. One guy said that this is why so many Chinese restaurants have “golden” in their names. The groom is a sous-chef at Quince, an upscale restaurant, while the bride, a real estate broker, teaches ESL and deals blackjack at a local casino until the market picks back up.
San Francisco offers enjoyable visual scenes, surprisingly good modern skyscraper architecture, a small garden at Golden Gate Park featuring stunning dahlias, and great bookstores. Stacey’s, on Market Street just a mile or so up from the Embarcadero, has an excellent selection. There’s an art museum called “deYoung” in Golden Gate Park which has fine paintings of California. The new Dale Chihuly show was by tour only and we had no time to wait. Too bad, I’m a big fan. The 100 foot tower atop the already high-perched museum offers great 360 views, except that tall people look at the bottom edge of a grated awning that drops over the upper quarter of the floor to ceiling glass windows. It was okay for folks under 6’, but a drag for the rest of us. I had to stoop to see the horizon, Mount Tam, the Golden Gate and the pretty hills. The deYoung is not far from a charming neighborhood, “the Richmond”, where a friend gave a party. It is prosperous, but not wealthy, and sits high on a mesa, with wide streets and two-story apartment buildings that resemble vacation homes at an old-fashioned beach resort. It includes a small Russian community, as well as many Asian ethnic groups. Great light in the area too, probably due to the continuous thin cloud cover blowing overhead, rather like western Holland. San Francisco neighborhoods have wide streets by design, due to the many earthquakes requiring good access for rescue and clean-up operations.
Monday was spent with friends going up to Muir Woods, which is an indescribably magical experience. We drove on northward and westward to find the fenced-off section of the San Andreas Fault. Even with a good map, we didn’t find it. We stopped for coffee in Olema, population 55. The landscape northwest of San Rafael features high watery meadows brushed with fog, like a deep green Italian coast, with little mountains and petite rocky cliffs.
Finally, a word about the awe-inspiring Golden Gate Bridge. It’s brown colored, not golden. I thought the “golden” referred to the Gold Rush, but someone said it was named before, and probably due to the spectacular light at sunset. I fancied for a moment that it was named for all the Chinese weddings.
Photo Blog
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Photo by Dean Fosdick |
| This is the study where our founder, W. Atlee Burpee, wrote the Burpee annual seed and plant catalogues from 1889, when he bought Fordhook Farm and moved his family up from Philadelphia, until his passing away in 1915. From 1875 to 1888, he wrote them in his small office in the original Burpee Building downtown on 5th and Market. It was torn down in the 1920s, after the company moved the packeting and storage operations to a large four story building in North Philadelphia. |
| At first, the sequence was: In the spring he left by steamship to Europe, where he started in the southern countries visiting seed growers. From Spain, Italy, and southern France he’d travel north to the Loire Valley, then to Normandy, across to Switzerland, up to Germany, then to Scandinavia, over to Holland, across to the UK, so that by late August he was done evaluating flowers, vegetables and herbs, and talking with all the seed growers. In effect, he’d followed the sun, inspecting plants out in the fields, as they grew. In transit—literally on the trains—he’d collect his notes from his small field book, the early form of the digest-sized Burpee catalogue. (Today he’d use a laptop to organize his field notations.) On the ship back to the US, he used the solitude to capture more details of his observations. For example, he compared them with those he took last year. We have many of these notebooks in the Burpee archives. He also made simple sketches—ideas for future illustrations. |
| Back in Philly in late summer, (about now), he’d make his final choices from the hundreds of cultivars he’d seen, and write to the growers in Europe to place or confirm orders, with quantities, qualities (seed grade) and prices. He was very careful and precise. Trust is the absolute foundation of the horticulture industry. |
| Finally, he began writing and designing the final “Burpee Annual” catalogue, a sort of embellished form of his notebook. Still today, it is called “the BA”. Upon receiving the seed a couple months later—mid to late autumn—he would finalize the book and send it to the engravers, lithographers and printer. Sometimes he worked a year ahead, as well as in the current year, specifically for perennial and biennial crops. Nevertheless, in January, the BA would be sent to our customers and, after receiving and shipping the bulk of their orders, he began to prepare for the spring voyage to Europe. Legend is he never missed a year. |
| However, by the mid 1880s, Mr. Burpee became concerned that European vegetables and flowers were not adapted to the diverse climates of the lower latitude of the US continent. He concluded that he needed his own “American” research and seed production farms. Thus, after much exploration, Fordhook Farm was purchased in 1888. Later he bought smaller farms in New Jersey and California. The original Burpee seed and plant farms spanned over 1,000 acres. |
| While much has changed in 133 years, my staff and I continue to travel the world searching for the best varieties to test here on our farms and gardens in Pennsylvania, Delaware and Washington state. Also, we conduct research and produce seeds and plants around the world, searching for the best. That’s the spirit of Burpee, as well as Heronswood Nursery and The Cook’s Garden. |
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Photo by Dean Fosdick |
| Hydrangea macrophylla ‘Nikko Blue’ in the back and Caryopteris x clandonensis ‘Longwood Blue’ in the front of the frame. Leycesteria formosa ‘Golden Lanterns’ is on the left, Aster laterifolius ‘Lady in Black’ and Hydrangea macrophylla ‘Jogasaki’nearer the lawn. The ruin of our springhouse is in the distance. A strong hurricane took down a beech that towered over the area, and its trunk fell between the walls, smashing the thick cedar roof. Not a single stone was touched, so the ruin will probably age very nicely. It’s one of our oldest structures, dating from 1760 to 1770. Now it stands at the north end of a long springhouse and creek garden leading down to a new pair of pools, and then farther to a ravine, all of which areas were planted the last two years with Heronswood perennials and shrubs. |
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Photo by Dean Fosdick |
| Helianthus ‘Lemon Queen’ and Buddleia davidii ‘Adonis Blue’ in the foreground along the front of the verandah looking east toward the gently sloping lawn next to the Carolina Shade Garden, where stands one of Steve Tobin’s “Roots” sculptures—this one is bronze and over nine feet tall at the top. |
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Photo by Dean Fosdick |
| The verandah walk in front of the main house. We let things grow raggedy because I like it. On the left are Sedum erythrosticum ‘Frosty Morn’ and ‘Walker’s Low’, Salvia x sylvestris ‘May Night’, Coreopsis ‘Crème Brulee’, Artemesia ludoviciana ‘Silver King’, Helianthus ‘Lemon Queen’and towering from the lower border beds are Celosia ‘Orange Temple Bells’ and ‘Glowing Spears’. At right are Salvia guaranitica ‘Black and Blue’. |
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Photo by Dean Fosdick |
| Taken of the Main House on the left, publicity tent in the middle and Stone Barn on the right. Upper right is the upper edge of the Carolina Shade Garden. The trees are beech, maple and the big American Linden left of the house. In the foreground midway down the creek from the Springhouse Garden are a Hydrangea paniculata ‘Limelight’ on the left, Miscanthus sinensis var. condensatus ‘Cabaret’ in the middle and Sliphium perfoliatum on the right, both growing within a few feet of the narrow creek. |
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Photo by Dean Fosdick |
| Salix integra ‘Hakuro Nishiki’ to the left of the gate to the Carolina Shade Garden behind the viewer. At the near end of the main house on the first floor is the Burpee study, hidden by the tall holly that you see behind the edge of the publicity tent put up for the Open House weekend. Verandah Garden and American Linden skirt the house and to the left. |
The Glasshouse Ceiling
With about 10 million customers, Burpee draws data from a wide cross-section of avid gardeners: high, medium and low income; urban, suburban and rural; old and young; male and female. The US conforms to the UK and Europe in nearly all categories. Most gardeners are about 40 or older; just over half are women; home ownership is the single greatest factor; yard size is an obvious key variable, right up there with age. (You don’t see throngs of middle-aged people night clubbing.) These similarities are neither controversial nor even arguable. They’re as plain as the dirt on your shoes.
However, there is one big difference in the gardening activities between us and the UK and Europe—gender. Take the customary associations of flowers and vegetables and reverse them. European, and especially British, men grow ornamentals in roughly the same proportion that US men grow vegetables. Similarly, European women overwhelmingly dominate the kitchen garden and leave the flowers and shrubbery to the men. They expect to be given flowers—not to grow them. On the European continent, there is a bit more sharing, but only on the vegetable side.
For example, all the notable European flower breeders of the last century were men, including many amateurs, blunting the argument that institutional sexism was the main cause. Granted, middle-class “career women”, outside politics and professions like medicine and law, remain a curiosity in Europe and the UK. Left to the routine of domestic life, the sexes segregate distinctly from the front of the home, where men grow ornamentals, to the back, where the women grow the vegetables and herbs. From a design standpoint, this traditional layout is not only aesthetically pleasing, but also practical in the densely populated towns and cities typical of Europe. By contrast, in the countryside, especially in France and Switzerland, unprotected vegetable gardens dot the roadside next to the sides of homes as well as the backs. Yet even there the gender tradition holds firm. I’ll never forget some male French friends who laughed at my idea of adding vegetables to their ornamental gardening routine.
In the UK, where garden preferences are nearly opposite those of the traditional US, most homes are located in dense urban areas. The model British row houses—which we imitated in eastern US cities—have, in effect, two gardens, front and back. The men dominate the front, the women the back. In the US it’s almost exactly the reverse, with the exception of the heavily British areas of the east coast, such as around Boston, where men’s garden clubs still thrive as mainly ornamental-oriented societies.
However, both Burpee statistics as well as anecdotal evidence indicate that US men grow most—but not all—the vegetables, especially the vine crops where fencing is involved, and large plantings of root crops where much physical labor is involved. For one droll example, cucumbers are grown almost entirely by men. On the other hand, lower maintenance veggies, such as lettuce, are split more evenly 50-50. Upper body strength has something to do with US garden preferences, as does the agrarian—versus industrial—origin of American life. More of us were peasants and farmers for a much longer period of time than our counterparts in heavily industrialized Europe, especially the UK and Germany.
Also, I speculate that the promotion of flower growing to women in the early 20th century reflected the early phase of the modern women’s movement that led ultimately to feminism. Why should men be the only ones growing the flowers? Indeed, even today flower growing remains a bit of a men’s club, particularly in high-end shrubs and trees.
The only place in Europe where the men share the vegetable garden is Southern Italy and Greece. This must be related to the important place they have in the kitchen, especially in Greece, where men prepare most family meals, with the women handling the table and shopping the markets where no home garden is possible. Of course, the men run the flour mills, oil presses, vineyards and wineries, which remain extraordinarily decentralized, or on a village level, to a degree unknown elsewhere. In the US one can still see this Greek tradition in the preponderance of restaurants and diners owned and run exclusively by men.
It is also interesting to see the male-dominated flower breeding traditions of Europe carried on, to this day, by amateur flower breeders in the US. Personally, I find this quite odd. Even US native plants, such as Rudbeckia and Echinacea, were bred by European men in the late 20th century—’Goldsturm’ by a German estate gardener and ‘Magnus’ by a Swedish amateur, respectively, each the classic of their type. Today, few women in the US are carrying forward the early feminist project of ornamental horticulture, except in the non-profit world of public gardens and trade associations, where they are better represented. My sister, Anna, of Ball Seed fame (an entirely separate company) is an extraordinary exception in the world of commercial horticulture. However, I guarantee she became President due to her ability rather than her gender. Perhaps US women shy away from flowers due to the conventional imagery of the “flower lady” and the nuptial bouquet. Too bad. The field is wide open to qualified American women.
Get Smart
A hybrid of “get rich quick”, but with social responsibility and a sense of flair. I’m itching to do these projects. Anyone want to help?
| 1. | Norman Rockwell Movie: Representational painting made a brief comeback a few years ago, but quickly disappeared again. Now everyone is gaga for weirdness, abstraction, “magic realism”, graffiti art and comic books. The traditional maturity found in religious art was kept alive by Rockwell for many years. However, this form of popular culture has vanished in the US. Kids are no longer familiar with Rockwell. Years ago I stayed at a fat farm near his home and museum in the Berkshires. Inspired after a visit, I decided all his classic narrative paintings could be strung together over a story line, “tableaux vivant” style. Each moment caught in the paintings would freeze for 30 seconds or so and then the movie would resume. Great way to introduce youth to one of the country’s greatest artists. | ||
| 2. | Large Print: This is about where “health food” was fifty years ago—drab, one-windowed, cement-block outlets off the highway shopped by nurses and an occasional elderly person. A couple of publishers are trying to respond, but their efforts are negligible. Most paperback books are difficult if not impossible to read. Not only are the paper horrid and print tiny, but also the books themselves have become unusually small, as if to imitate the size of hand-held devices, or in order to cram more units on a shelf. However, as baby boomers mature into the macular degeneration stage and, simultaneously, public schools fail to instruct reading effectively, the days of even normal print are coming to an end. Soon all print will be “large print”. Not only will middle-aged eyestrain be less, but—much more importantly—children will learn to read more efficiently. An epidemic of physical obesity is nothing compared to one of intellectual deficit, which is more lasting. Some grade school textbooks, here and there, have responded to the research showing clearly that kids and teens read and retain large words, but most have not. And don’t bother trying to find a decent large print selection at your local bookstore. None exists. This is a huge opportunity for the publishing industry. | ||
| 3. | The MAC Car: I get warm and fuzzy when I drive behind a MAC truck. Good old American product with a fabulous brand, logo and history. Great image of toughness and durability, second only to Ford. But no cars! End run around the foreign manufacturers by designing a basic “model T” or VW of type breakthrough, such as an improved Smart car, an extremely simple hybrid, or a covered 3-wheel motorcycle. Then use MAC’s manufacturing and distribution to market it, not just in the US but worldwide. Blow the competition away. Find the best designer and make him the product czar. He’s probably finishing up his last year at Missouri State at Rolla (or ending his last year of high school in Novosibirsk). | ||
| 4. | Boot Camps: In the 1990s, after the Soviet Union collapsed and our military bases began closing, I thought someone would start civilian boot camps, utilizing retired drill sergeants and the old training locations, especially in the southeast to get the winter pre- and post- holiday traffic. Most spas and fat farms are luxurious social clubs for the elderly, as they’ve been for centuries. However, the obesity epidemic requires that everyone “drop and give me 20”. The lazy of all ages require the consistent external discipline that children love. People enjoy being trained and pay big bucks for it. | ||
| 5. | Penitentiary: Similar to #4, allow people to send themselves to jail from time to time, whenever they want. Again, like obesity, we also suffer a moral softness epidemic. Shame! Thirty days hard labor, bread and water. Or Pilates, multigrain bread and Fiji water, if necessary, to sell the concept, but no pleasures and no freedoms. Look what it did to Martha Stewart. It could actually become trendy. | ||
| 6. | Reverse Pedagogy: Just as the Rockefeller-funded progressive movement in public education spawned the failed “whole word” method of literacy instruction, the science establishment influenced secondary schools to teach a progression from biology to chemistry and finally physics. However, this is wrong. Just as a child must learn first the sounds and letters of the alphabet and syllables, so students must learn the basics of motion, heat and light, etc., before moving on to more complex elements, molecules and, eventually, organisms. The natural progression should be physical science in freshman year, chemistry (liquids and gases) and then organisms, from lower to higher. For advanced kids, a senior year of genetics. High schools have it exactly the reverse, just as grade schools require illiterate children to memorize the visual image of a word before they’ve learned the alphabet. | ||
| 7. | Mass Production of Adulthood: After many years in horticulture, I’ve seen countless generations of plants come and go. Although they are much simpler than animals, they still follow precise stages of growth. Humans do also, and our complexity makes our stages even more important and dynamic. Yet, as a society, we marginalize adulthood, recognizing it by a numbered age. Indeed, public education was envisioned to do just this, but now that it has failed so spectacularly—and in a free society to boot—perhaps the private sector could offer “maturity centers” to train and advise our youth on adulthood issues such as voting, drinking, driving, personal responsibility, family. Perhaps I’m all wet and this is already being done. Not having a family, I don’t see it, or anything like it, anywhere. | ||
| 8. | Choral Marches: Many folks listen to music while hamstering away on a treadmill, elliptical or Stairmaster. This surreal image is multiplied 50X at my health club. Why do we not sing? Many people have great voices. And why wait for July 4th or an ethnic festival to participate in a march or parade? Every town and village should have a regular schedule of all-day parades—at least four seasonal marches per year—with choral directors to organize popular festival and historic songs related to each season. This would enable singing, as well as neighborly fellowship, to become normal—a pattern of life rather than isolated events. Perhaps if just one group of towns did it, it might spread from there. | ||






























































